And yes, you do have the option to edit digital photos, but there’s something special about making a beautiful image in-camera on film and not having to spend any time editing!Īlso, if you’re looking for a little less saturation, there are other great film choices, like Provia 100, which isn’t as saturated but still has great color and fine grain, or you could go with a color negative film which will give you more subtle colors and has a wider range of exposure latitude. As you can see, Velvia 50 has a very fine grain and has rich, vibrant colors straight from the scan compared to the unedited JPEG from the Canon 6D. The photo on the right was taken with a full-frame Canon 6D with 50mm, 100 iso, and f/4. The left image was captured on Velvia 50, taken with a Canon EOS 3, a 50mm lens at f/4. Both the digital photo and the film photo were taken with the same settings. While in Eastern Sierra Nevada, we shot two photos, one film and the other digital. As a film processing lab, we obviously have a bias, so not going to say which is better, but to present the differences and list advantages. In this top 35mm SLR there is only a few players to this high level : Canon, Leica (no AF), maybe we can say Contax RTSIII which is an other beast with Zeiss lens.With film usage and adoption on the rise, we wanted to resurrect the debate of digital photos versus analog photos. If you buy you can keep for ever, the cameras which have been recalled were recalled to match the material standard of EU, not a problem of quality ? I do not need AF, I trust my hands and my eyes. If we want 100 % good result on metering and focus with AF lens, this is the camera. This camera has only problem : it is heavy, despite lighther than F5, but heavy.
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This is one of the 10 best top analog camera, maybe the best one, if we want a camera which gives the opportunity to take pictures fast with all kind of film includind Velvia 50, it is well made like all Nikon and Nikon lens are nearly the best in the market with Zeiss, Leica, Schneider, some like some famous Ai-s are the best (28mm/2.8, Micro 55mm, 85/1.4, 105/2.5, … the lens from Zeiss or Leica will not add too much on real photography just difference of test). Decried by many stick-in-the-muds as being inferior to the F5 and F4 that came before it, the current design cues of Nikon’s full-frame DSLR range have not shifted much from that of the F6 for some 14 years. It embodies everything Nikon knew about making robust, reliable, and supremely usable cameras. Originally launched in 2004 - 45 years after the Nikon F - the F6 represented the pinnacle of 35mm film camera functionality and usability. Sadly, it looks like this will never be the case.
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NIKON F6 SAMPLE IMAGES SERIES
Some members of the film photography community even took signs of the F6’s continued production - shrouded under a cloak of mystery for years - as hope that there might eventually be a new Nikon F series camera on the horizon. It seemed the writing might be on the wall when Nikon announced a global Nikon F6 product recall for 152 Nikon F6 cameras earlier this year but I, along with many other Nikon F6 owners and film shooters, were hoping that this was merely a blip that could be smothed over. It was a camera that would lay the groundwork for Nikon’s dominance in film cameras for the next 50+ years and spawned the Nikon M model (1949), Nikon S (1950), and eventually the S2, SP, and finally, the Nikon F. Nikon’s first, production, the Nikon Model I was released in March 1948, just two and a half years short years after the end of World War II.
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